NIKKI SUDDEN JOURNAL
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Entries for 2004
MAY


Tuesday - May 11 - Leamington Spa - Running Out Of Time)

Finished of Epic's new album today. First track we touched was You Better Run - a song we'd started and almost finished mixing last night before Chris 17 and I had to run for the hills when John shut up the studio… Then we worked on You've Got A Lot To Learn and got them both sounding wonderful. I've said it before (and I'll say it again) but when it comes to sound John Rivers is a genius! I've told him, so he already knows… I think he almost blushed… but it's true… so why hide it.

John and I first worked together on December 28 1978 when Swell Maps went into WMRS to start work on what ended up as A Trip To Marineville. We did Jane From Occupied Europe there as well and then John moved to WSRS - more or less the same name but a slight change of location. I've recorded in other studios but I always go back to John for him to remaster the stuff I've done elsewhere. And I always love recording at WSRS - such a cool sound and always a cool atmosphere. Who could want for more?

When Epic and my parents lived in the village of Harbury - six miles from Leamington - it was always a refreshing moment to travel through the countryside of middle England en route to the studio. Nowadays my folks live in Leamington itself and the studio is a mere 20-minute walk from their place. Walk down the Kenilworth Road, down the Parade - hang a left on Radford Road and you're almost there. The studio is in St. Mary's Crescent. It's a big part of my life as is Mr. Rivers. We were very lucky to stumble across him and his studio in the early days. I'm his longest running client and will hopefully remain so…

Then we compiled the album. While we were mixing You Better Run I'd already decided that it would be the opening track with I Do Declare to follow and that Sooner Or Later should be the last track. What to put in-between was the only problem… By jigging and rejigging tracks we eventually ended up with the following running order:

You Better Run
I Do Declare
C'mon Daddy
Cry A Tear
Unfaithful Arms
I Got To Be Free
Black Hole
House On The Hill
Dedication
Maybe You're Right
You've Got A Lot To Learn
Roll The Stone
Good Things Come To Those Who Wait
Sooner Or Later
Telephone Call


This is essentially an album by Epic Soundtracks and Kevin Junior - Kevin didn't write any of the songs but he plays and sings beautifully on just about every track. Just wait until you hear it. For an album made up off porta-studio home demo recordings it sounds totally glorious. Just wait…

Next John and I complied the four Swell Maps singles onto one CDR for reissue on 7" vinyl by Munster Records of Spain. We had to make up a B-side for the third 45, Real Shocks… The original single was backed by two rather embarrassing home recordings made by Phones 'David Barrington' Sportsman and me.

When I was remastering the first two Swell Maps LPs for Japan Polystar Records had asked if they could include the single A-sides and B-sides. After listening to Monologues and An English Verse it didn't take much effort on John's part to talk me out of ever letting those particular tracks loose in the public again. So we constructed a far superior B-side from New York and Avalanche.

New York was recorded during the sessions for Jane but for some strange reason never released during the lifetime of the band. The Stairs Are Like An Avalanche wasn't used on the same album otherwise it would have been top heavy with instrumentals. Instead it featured on the strange third Maps' album, Whatever Happens Next… They've both been given a new lease of life of late and both tracks sound great!
After a brief meal break we continued by doing a mix of my song, Honey Baby. I wrote the song for the Mika Kaurismaki film - lead actor Henry Thomas sings a snippet of the number to Irina Bjorklund, the lead actress. I thought my version of the song - recorded last year with Paul Brook, Glenn Tranter, John Rivers, Justin Farrow and myself would be perfect for the end titles… Mika disagreed.

I put down a Mellotron (bagpipes, Uillean pipes and Romanian fiddle mixed together) part on the song's coda while John moved my lead part around. The song sounds great! I think it could be a hit single - but I've thought that about other songs I've recorded in the past - and none of them have ever even glimpsed the charts.

We finished off the days' work by transferring some unreleased Epic studio demos to pro-tools. We'll continue when I'm back from the States…Tomorrow (Wednesday) I leave this sceptered isle and fly across the Atlantic to NYC. More reports will follow after my plane touches down…The last time I was in New York was two years back. There's a lot of friends to be seen, gigs to be played…

Monday - May 10 - Leamington Spa

You realise that if Leamington Spa (or Royal Leamington Spa to give it it's full name) was a German town it would be called Bad Leamington. Bad is the German word for bath, and also for Spa… I'd never thought of that before.

Today I was in the studio; today I'm in the studio. John Rivers started the day off by remixing Dedication and Good Things - numbers we'd thought were finished on Friday. Epic's piano had been recorded in mono - the original mixes by Matt Snow were all in mono. John had formulated a plug in to make the mono piano sound more stereo… The left hand of the keyboard comes out in the left speaker and the right side in the right. And it doesn't sound artificial like the early '70's 'reprocessed for stereo' travesties that the music business tried to lay on us.

Next we spent three hours on The House On The Hill - Epic's vocal was given a Beatlesque feel (not a Jeff Lynn one) by feeding it through a Leslie cabinet. The songs sounded really cool by the time it was finished. Then we did the Epic -v- Kevin Junior telephone call bonus track. Roll The Stone. Transferred a version of C'mon Daddy - Epic's solo version of the song he wrote with Evan Dando for the last Lemonheads album, Car, Button, Cloth. Also transferred Epic's last song - the last song he wrote - from a live tape to pro tools.

Finished off working on Epic's Sooner Or Later… And the studio closed it's doors on us as we were doing You Better Run. Lift home with Chris Seventeen from the infamous What A Nice Way To Turn Seventeen of glorious memory. We're still waiting for issue no. 7… Soon come…

Sunday - May 9 - Leamington

Sometimes the angels are looking after those of us who remain... After writing up Saturday's instalment in this long-running soap opera I call my life I got a mail from KK, Kevin Junior's one-time girlfriend, with Kevin's current phone number back home in Akron, Ohio. So I called him up - we chatted for an hour or more. Amongst other things he told me tales of his last months in LA - things went from bad to worse. I asked him if he'd be up for playing on my upcoming US tour - and the following European one. He said yes… It's good to have you back, honey…

"

The other day I came across a description of me on Ebay, "NIKKI SUDDEN ~ JACOBITES ~ INDIE PUNK GLAM". I've always hated being described as 'Indie' - I can't think of a worse insult… I wouldn't ever claim to have been a punk either. Swell Maps missed that particular epithet by a year. Our first single, Read About Seymour, was released in December 1977 but we were never punks. I'm not sure what we were but I know better than any of those who have tried to pigeonhole us over the years.
The descriptions that have been applied to me sometimes beggar description. A week or so back Tip, which is a kind of Time Out for Berlin, and who, seeing they've been writing about me for years, should know better, described me as Alternative Folk. Alternative Folk! I've had all kinds of epithets thrown at me from Glam Rock Legend to Underground Superstar. The worst, well the most inaccurate ever, was 'dark wave poet'. The best - the most accurate - is still waiting to find itself. Glam Rock Superstar? I prefer English Rock'n Roll myself…

"
I was wondering why some of these entries get a lot more attention than others. The most seen one seems to be Monday – April 6 – Vigo – Jet with 135 hits! Whereas Sunday - March 14 - Thessaloniki - Greek Victory only got 40! Strange… Maybe it's something to do with all the '–' bits - maybe people like things when they're a bit skewiff. Or maybe it's the mention of Jet - when the subtitle should read Jet Set Gypsies. Or maybe it's just the appeal (!) of the '–' bits…
Whatever it is, there's no logic in there. Sometimes I wonder if it's even worth writing up my assorted thoughts every day. But if nothing else they'll provide a good background text for my upcoming Diary / Autobiography book. And my English gets better every year… even if my spelling is at times still a bit idiosyncratic!

"

I've been looking everywhere at my folk's place for the tracklisting for the 'best of' Epic Soundtracks. Epic compiled his own running order for a proposed collection on Rykodisc. This, with the true luck accorded to my brother (and myself) never happened. But at least he'd put the thing together himself. Now all I have to do is find his notes. At least I've found the title - which seems to be Wild Smile…

Saturday - May 8 - Still In Town, Still Around

If any of you were wondering why Berlin-based band, The Methylated Spirits, were linked from the link page at www.nikkisudden.com this is why… Drummer Chris Hughes is an old friend. We first met when Chris, Bruno Adams, Chris Russell and Co. arrived in Berlin with their Melbourne-originated band, Once Upon A Time. Mick Harvey produced their debut album - which, as a slice of Melbourne flavoured rock is as good as it gets…

Chris also played with - and plays with - Hugo Race And The True Spirit - sometimes it seems as if Chris is The True Spirit all by himself. Hugo and Chris joined me for a session at V-LAB Studio in Berlin on 25 February 1991. Together we recorded versions of Penicillin (this was erroneously credited to the Jacobites when it was released on the compilation CD Trash On Demand VOL. II (Ultra Under Records-UUCD501) and The Devil Took Me Down To Georgia (as featured on the European release of Seven Lives Later - for some reason the US issue includes Love Nest).

Chris and I stayed friends through the years and most times we met we said that we should record together - this never happened until March 22 this year when together with Last Bandits' bassist, John Barry and Miss Claudine Fires we recorded five songs and two jams. Chris is a great drummer - one of the best I've ever played with. I've played with some great drummers in my life: Epic Soundtracks (the best - but we had the blood between us), Stephane Doucerain, Anthony Illarde, Bill Berry, Paul Brook, Mark Anthony Williams, Kevin Wilkinson… I've also played with some awful ones but they're names can remain unrecorded.

Joe Armstrong, one of the better bassists I've played with, is also one of The Methylated Spirits. I first met Joe through Mark Mulholland - his long-time bandmate in Impure Thoughts. At the invitation of Kinch Blade, Phil Shoenfelt, Carl Eugene Picot, Robbie Schmidt and I had played our end of tour show at a strange squat club in the former East Berlin. Mark had heard my name mooted about and decided to check us out. Quickly realising that at least one of the audience spoke English - even though he's from Scotland - we got into conversation. It quickly became apparent that MM was also a musician…

I mentioned that I had an upcoming gig for which I need a bass player. Carl had to return to the UK a few days later. I asked Mark if he could play bass. He said he had a friend, Joe, who was a bassist. Both Joe and Mark ended up playing the date - late November 1997 - the day after I'd found out Epic had died - opening up for The Vibrators.

The two of them have played with me on and off over the succeeding years. Joe stood in as a last minute replacement for the damaged Mr. John Barry on the last US tour. A few days before we were supposed to fly John had gone out to a party with the Russian Jet Set - and he'd been coerced into a dance. Trying a tricky move he broke his knee! We had to leave for LA by the middle of the week. I called Joe - Joe knew all the songs already - Joe came on tour with us.

Mark runs the Sunday night jam session in the Butterclub. I head down there at least once a month when I'm in Berlin. Mark also co-owns the East Of Eden second hand bookshop - also in Freidrichshain - a regular stop off point when I'm in that part of town. Here in Leamington I have to rely on Portland Books. Last Bandits drummer, Stephane Doucerain, has become the de facto Impure Thoughts drummer

Good friends one and all. And good friends are sometimes hard to find…

Friday - May 7 - Leamington Spa

Today I was in WSRS for the first day of work on mastering Epic's new album, Good Things. The songs were recorded on Kevin Junior's porta-studio in Epic's flat, in West Hampstead back in November 1996. The pair of them had demoed some of the songs Epic had in mind for the LP, but my brother had never taken things to the next stage - he died before he had the chance to record these new songs in the studio.

I met up with KJ in Seattle last year - he flew from LA in to play a couple of shows with me… We discussed Epic's unfinished record… And I agreed to it's release. Originally I wanted Kevin to fly over to England to work on the album with John Rivers and me at WSRS. This proved unfeasible - or rather the budget and the timing proved unworkable. I was busy touring when Kevin had the time and when I wasn't busy there just wasn't the cash to get Kevin over to Europe…

Kevin Junior went into engineer Matt Snow's studio in Los Angeles where the pair of them did a great job of cleaning up the tracks… They did mixes but I thought John Rivers could probably improve on them. And, of course he did!

Today we worked on Cry A Tear, Dedication, Good Things, I Do Declare, I Got To Be Free, Maybe You're Right and began work on the instrumental track, Black Hole… Listening to my brother's voice - especially when he was singing unaccompanied came pretty close to bringing tears to my eyes.

I have to spend at least some of this weekend tracking down Kevin Junior. Kevin disappeared from site just after he and Matt Snow had done their work together. Apparently he's back in Akron, Ohio these days. If nothing else I want him to play guitar with the Last Bandits on our US tour… And to write sleeve notes for Good Things...

Epic passed away on November 5 1997. I still miss him… Think about him most every day… Some days slip away without a thought but the next one pulls up hard at the traces. I've dreamed about him many times - sometimes the dreams seemed far too real - other times they seemed very real - they never pulled me across though. Apparently Epic is happy and busy now… This is what I've glimpsed in my dreams, as have others.

The last time I came across my brother I didn't actually get to meet him… This was when I met up with 'Desperate Dave' (Dave Burns), another friend who slipped away too soon and too young. I wrote this up in my journal for January 24:

"Went to bed after finishing at least one bottle of port. Fell asleep to the strangest dreams possible. One of them involved my friend, Dave Burns, who died a few months or so back. He was standing there - wherever it was it wasn't on earth - wearing a beautiful suit from some material I gave him years ago. He told me that he was really enjoying myself. I asked if I could see my brother - to be told that he was busy. I was asked if I'd like to stay, but I said I couldn't. I've had these kind of dreams a few times since Epic died - with him asking me to come with him. I told my mother of this and she said, 'Don't go...' Sometimes it seems that it would be so easy to slip over. But then you leave despair behind... "


Just got a mail from KK, KJ's one time girlfriend with Kevin's current phone number. Sometimes the angels are looking after those of us who remain... I called him up - we chatted for an hour or more. It's good to have you back, honey…

Thursday - May 6 - Leamington Spa - Family Trades…

Today I realised that my idea of a day off is one on which I don't have to travel or to play a gig. Sitting here in my father's study listening to Vinyl Gang's new Place Pigalle four CD bootleg set of Stones' outtakes throughout the Seventies. The cover shots are pretty inaccurate featuring the Mick Taylor line-up of the band. The first disc is pretty much Mick Taylor era Stones but after that it's all Ronnie Wood… Strange that the label does such a good job on the majority of it's releases but then fucks up on the details. There's a Live In Cologne 1970 release, which features photos of the Stones with Brian Jones. And BJ died in 1969!

Talking about inaccuracy today I found out that Tony Sanchez, the legendary Spanish Tony, died on June 14 2000. His classic Up And Down With The Rolling Stones was republished recently under the great title I Was Keith Richards' Drug Dealer. I almost bought the book again because of the title… Spanish Tony glowingly referred to once as Substance Technician. Here we go with a review I pulled at random off the Internet.

Robben from Seattle, Washington reviewed the book for Amazon and wrote, "This book, written by Tony 'I score drugs for the Rolling Stones' Sanchez gives his perception of the Stones. Although it is an entertaining book, it doesn't give the real behind the scenes look at the Stones as does the book Stone Alone written by Bill Wyman. It has a few funny stories and clever comments, but in no way compares with the book written by Bill, or the Autobiography written by Keith and Victor Bockris."

Yes, well… Get your perspective and even more so, your facts right sunshine… Which autobiography did Keith ever write? Victor Bockris wrote an incomplete bio of KR. Mind you, I did like the description of ST as, "Tony 'I score drugs for the Rolling Stones' Sanchez". True enough… Primal Scream once had a drug dealer who they were really glad to discover was Spanish Tony's son. As Bobby Gillespie proudly said to me, "It's kind of 'keep it in the family'."

The best Keith Richards book is still Barbara Charone's piece of perfection, Keith Richards (Futura Publications Limited, London-1979). Even Stanley Booth let the side down a bit when he penned his Keith-Till I Roll Over Dead (Headline, London-1994). Not a bad effort but rather shallow compared to the elegance and brilliance of his first book, The True Adventures Of The Rolling Stones (William Heinemann Limited, London-1985).

And anyone who thinks Bill Wyman's interminable Stone Alone (Viking, London-1990) gives an accurate look behind the shutters has another think coming. Bill's a nice enough chap, makes good music with the Rhythm Kings, but as a writer his first Stones' work is about as exciting to read as it is to watch paint dry… He's got better of late… but that first effort was one of the most boring books I've ever read about some of the most exciting times of one of the most fascinating bands in history.

At the Sticky Fingers (Bill's Kensington eatery) fifth birthday party I wanted to go up to BW and ask, "Why did you leave the Rolling Stones to run a restaurant?" Luckily I was talked out of it - I was a bit drunk at the time. I then was (apparently) drooling over Britt Ekland - who still looked fantastic. Getting Gina Lollabrigida - who'd seen better days - confused with Claudia Cardinale. The evening ended up with me arguing with Vivienne Westwood about Malcolm McLaren's ripping off of Johnny Thunders. "It wasn't my fault!" she yelped on occasion. The evening finished with me being regaled for at least an hour by Meat 'call me Meat' Loaf.

The next evening I ended up at TV producer (Supersonic) Mike Mansfield's party somewhere up by Camden Lock. I went up to Meatloaf and said that I'd enjoyed talking to him the previous night but unfortunately I couldn't remember any of what he'd said. This was the wrong thing to say to Mr. Loaf… One was obviously supposed to remember every word of wisdom he cast down from on high. He didn't talk to me again… Rather a relief really…

Anita Pallenberg once told me that Spanish Tony's was her favourite Stones' book. And you can understand why.

"

I should actually write an article about 'essential Stones' books'. I've read a few efforts along this line and they've always missed the mark completely. Most people actually rate Phillip Norman's jealousy-ridden book, The Stones (Elm Tree Books, London-1984). And some journalists even have the gall to include Stephen Davis' Old Gods Almost Dead (Broadway Books, New York-2001). Davis' work actually takes Spanish Tony's writings as gospel.

I first read Up And Down With The Rolling Stones at Lucy Cameron's squat in Dynevor Road (Dinosaur Road as we used to call it) in Stoke Newington in 1979. It had a great effect on me as did another book I first encountered there, William Burroughs' Junky. Both of them changed my life a bit… or a lot… I always took Spanish Tony's book with a pinch of salt - which is the only way to approach it… Junky needed a pinch of reality to tie things up with.

Lucy Cameron also had a great effect on me - last time I saw her must be a good fifteen, or even more years back, last time we spoke was three or four years ago, but she still touches me somewhere. In some ways she was like a female version of Dave Kusworth. They never met though… It's funny how some people touch you for life… Even if the time you spend together is fleeting the taste remains in your mouth long after the days have gone. She remains friend with Jowe Head…

Since discovering Burroughs' masterpiece the best book I've read on heroin and it's disturbances and it's shallow glimpsed glories is Junkie Love by Phil Shoenfelt (Twisted Spoon Press, Prague-2001). This is what I wrote about Phil's book a couple of years back:
"You can always tell a good book by the first line. I first read PS's description of his 1980's Camden Town junkie lifestyle in Prague some five years back and was immediately struck by the quality the text. In a way, for the subject matter, this book is as important as William Burroughs' Junky. Too much writing about heroin merely enforces the romance of the drug but Shoenfelt also reveals the darker side of addiction. Not in the grotesquely tainted style of an Irving Welsh but with far greater purity. Some of the scenes depicted are remarkably sleazy but the author never falls into cliche. If this book suffers through anything it's only in it's bad timing at appearing after such an overrated work as Trainspotting. If nothing else Junkie Love would make a far better movie.

"The thing about a junkie lifestyle is it may be sordid and at times unspeakably unattractive, but it's still a form of living that is at odds with the way civilisation expects one to behave. When you're a junkie all that really matters is the next fix and how to get it. As Shoenfelt points out the drug is, "For nihilists and hedonists-for people who have either given up trying to make sense of existence… or who don't give a shit about a future they can't see or believe in." It's also a drug that artists have sought solace and inspiration in through the years-it will continue to be so. With his music, especially on his last two albums, Blue Highway and Dead Flowers For Alice Shoenfelt has conjured up a place all of his own. Junkie Love joyously shares the same territory. The best book about heroin since Junky. An essential read!"

If this all seems incongruous to you… Me, sitting in my father's study in the nice, genteel, relaxed and relaxing middle class, bourgeois town of Leamington Spa talking about the worst (and therefore of necessity the best) drug in the world. It seems incongruous to me, though not that much…

Now I have to search out Epic's notebooks and find his tracklisting for the 'best of' he proposed during his lifetime. That and finding all the original master tapes should settle my mind for a few hours at least.

Then, if I find the time, I'll be able to sink into the pages of Simon Scarrow's latest, The Eagle And The Wolves. A signed copy of which was waiting for me here. That's one of the great things about coming home. Mother's cooking, father's patience and the post that has piled up over the past six months… There's even a signed copy of Bernard Cornwell's latest, Sharpe's Escape and a copy of Sharpe's Christmas. I hope you realise that I have to pay for these books - I don't ever get them free.

Wednesday - May 5 - Roma

May 5 1972 was the release date of Metal Guru by T.Rex... The only time I ever played Metal Guru live (it's in the wrong key for me) was at the Pizza Pomodoro (!) in Shepherd's Bush. This Spanish chap I was living with - sub-renting a room - worked as a waiter at the Pizzeria and arranged a gig with his band, us and another lot. The show was, for some reason, reviewed by Sounds. The journalist - whose name I also can't remember - well, I'm a million miles away from home (and waiting on a plane) - see Jimmie Rogers <www.jimmierodgers.com>... Anyway the 'journalist' remarked something along the lines of, "Sudden played an excruciating number called Metal Guerrilla..."

Yesterday's gig at Big Mama's here in Rome was very inspired especially as I'd only met the musicians the night before. Line up was Fabio Taddeo - guitar, Paolo Di Orazio - drums, Mimmo Catanzariti - bass, Bruno Terranova (great name) - keyboards.
Set list (I should start doing this every time for future Nico Zentgrafs, Felix Aepplis or even Dr. Delmeres:

God Save Us
Too Bad For You
Road Of Broken Dreams
When I Left You
High And Lonesome
Evangeline
Treasure Island
Death Warrant
Crossroads
Midget Submarines
Looking For A Friend

Broken Door (solo)
Aeroplane Blues
No Good In Heaven

The assorted audience - most of whom seemed to be writers for Fazi Publishing - the people who set up the gig, flew me in, paid me, etc. "This is Fabrizio, he's writes novels for us..." That kind of thing. Writers are just like musicians, just not so extravert. The rest of the audience were either Fazi staff, journalists or what have you... The band played well, I played well - apart from a few (!) wrong notes during the intro to Death Warrant. My excuse was that:

i). It was only the third time I've played the song with a band.
ii) I was using a Fender Stratocaster - normally not one of my favourite guitars - as the Gibson Les Paul Custom (beautiful guitar) had gone out of tune. This probably came of me knocking the headstock on the microphone stand while doing a Marc Bolan / Steve Jones guitar behind the back stance / pose. The first time I ever played a Strat was in Dublin back in 1985 or so. I'd broken a string on the guitar I had been playing - someone from one of support bands (The Stars Of Heaven?) handed me a Stratocaster, I plugged in and played. A few seconds later I stopped and remarked, "This guitar is horrible - it makes me sound like Jimi Hendrix!" The Stars Of Heaven chap was aghast. This was his favourite guitar, I was one of his favourite guitarists and I'd besmirched his guitar...

Ah well! I was younger then.

But last night's Strat sounded (and looked cool). I hope we'll have some photos up online soon. Photos were taken... that I know.
Now as if my current workload wasn't enough as I suspected would happen Thomas and Simone from Fazi have asked to write a book for them - I said, "Okay, I have nothing to do in June... I can do it then!" Nothing now seems to be sending out thousands of copies of Treasure Island to destinations around the world... Being stuck in Berlin, hopefully also doing hundreds of interviews for the assorted publications of the world. The other day I described my life as being relentless... I think I chose the right word...

One last thought, "Julian Cope!" If you go to http://www.headheritage.co.uk as I just did - while looking up Fazi Publishing on a search thing you'll find JC's diary.. Interesting stuff... I met Julian Cope once in the Rough Trade shop on Kensington Park Road / Church Street. He said, "Swell Maps - really cool group!" I found him a nice chap…
Money's running out... Gotta go. More tomorrow - from beautiful, perfidious Albion...

Tuesday - May 4 - Roma

Sitting here in this internet cafe in Roma. The sun streams through the windows making it difficult to see the computer screen. But after moving the screen round the table I think I've found the best option.

Arrived at the Hotel Trastevere, Via Lucianmo Manara 24a / 25, Room B3 - if you want to track me down - yesterday afternoon. Then for my first genuine Italian pizza since 1988 - when I was last in the country. Washed that down with a small carafe of wine and then back to the Trastevere for a much-needed nap.

Woken up a few hours too soon by Thomas Fazi and Simone Caltabellota from the Fazi Publishing House - the same chaps who picked me up from the airport, arranged and paid for my visit, etc. They tell me it's time for rehearsal. Wearily I rise from my bed, get dressed and saunter down to reception. We drive for what seems hours - I apparently lay passed out at a strange angle in the front seat... We arrive at somewhere in the suburbs (!)... somewhere in Rome any'haps and pulling myself into some form of consciousness I follow Thomas, Simone and Thomas' girlfriend Melissa. Melissa comes from Sicily.

At the age of 15 she wrote up her erotic diaries - which is obviously not the sort of thing your regular 15-year old from Sicily does. They've been published - by Fazi - sold 800,000 copies in Italy alone - best seller. Her name is Melissa Panarello. The book 100 Strokes Of The Hairbrush Before Going To Bed has been published in about 30 languages - including Greek! Normally under the name of Melissa P. Now the book is being published in just about every other European language. Write down your erotic dreams - easy enough - write them up - this takes a bit of talent - find a publisher - make a million.

She's promised to send me a signed copy of the English first edition. She's told me that I'm in the follow up - there'll be a description of me with an ice cream in one hand, playing guitar with the other... Nice girl (and a rich girl).

So then we (me and four Italian musicians - names not yet discovered / remembered - guitar, bass, drums, keyboards) settled down to run through 13 or 14 songs. I tried them out with a run-through of the old Tampa Red song, Don't Lie To Me. They can play just fine...

And then we played Looking For A Friend and Treasure Island off the new album. Old numbers like When I Left You, God Save Us (the last time I played that with a band was in LA - last electric Jacobites tour - late '90's), and a bunch of other tracks. At the end I pulled out a new one, Death Warrant and we jammed on that for thirty minutes.

And then we repaired to another (long drive) bar - one of Rome's legendary live music venues for a crepe, a glass of wine or two and then back to the hotel for a much-needed sleep. I woke up at 11am. Got dressed and came in search of an Internet cafe for my daily duty. Stay bruised (I'm doing my best - the rib is fast recovering!)

Monday - May 3 - Berlin - Roma

Just wrote this before I left so I thought you should get it here as well as on the gigs page:

The last time I was in Rome was when the Jacobites - on this occasion Dave Kusworth, Epic Soundtracks and myself played. The promoters could only afford three plane tickets and internal transportation so Dave played bass on my songs and I played bass on his. Strangely enough it worked on most nights. Dave used to play bass in the latter days of The Hawks. I'd played bass on PWT by the Cult Figures and Big Maz by the Maps...

The first time I was in Rome was in 1974 - galloping round Europe with Jowe Head. We'd just left school and after working on a local farmer's farm under a recent old boy with the incredible name of Warwick Partington. He had an incredibly strange character to match... We spent what would have been our (post A-Level) summer holidays mainly baling corn and then driving it along country lanes before finally stacking it up in barns.

Then we headed off from Solihull Station to the wilds of Europe. We had some adventures and obviously some misadventures - for these two often seem to balance themselves out. I'll go into this when I have more time.

The second time I was in Rome was in 1980, when on our Italian (and farewell tour - though we didn't know this then) Swell Maps played two shows at the Piper Club. We were told that the Beach Boys had played there (in 1970, I think) and we were suitably impressed. Someone also told that the Stones had played on the same stage... But I think they were joking...

And then it was to Schonefeld Airport for me. All these airports are such a long way from the centre. Well, actually in Berlin it's not too bad. Tempelhof is a 20-minute walk from my place. Tegel takes 45 by public transport and twenty minutes by taxi. Schonefeld is about the same.

The plane, of course, was delayed but I ended up in Rome - after an interminable wait by the luggage belt - three or four hours later. Read Tuesday's notes for more...

Sunday - May 1 - Berlin (Bruised, Not Broken)


Having realised that I sounded a bit like Bill Wyman in my last entry: "Toured the States for three months and when I got home I had 6d in my bank account," I think it'd better if I belay such thoughts.

You may have read that The Last Bandits and me played at the Junction Bar in Berlin on Friday. Amongst other songs featured fate took a hand and the band launched into a medley of Too Bad For You (Nikki Sudden) / So Alone (Johnny Thunders) / Cowgirl In The Sand (Neil Young). Well, this was more the blind leading the blind. I don't think Stephane or John had ever heard either of the songs - sometimes we're approaching the field from very different perspectives. The medley was interesting, but never really took off.

One of the problems was:

I couldn't remember most of the words to either song. There's a change in Cowgirl In The Sand which I thought might throw the band totally if I went into it. During the gig I announced that this was my, "First ever gig with a broken rib." It certainly felt like this at the time but luckily by the next morning - I didn't get to sleep after the show - my body felt far, far better. So basically, I'm bruised but not broken

Which is all to the good. I thought it a bit strange that I fell off the bunk on Sunday night / Monday morning and was walking round, playing a gig, etc. and everything was fine until getting to Kiev airport..

Unfortunately the Junction Bar gig wasn't recorded. Well, not by me anyway. Despite the problems... At the soundcheck the bruising hurt so much that it was more or less impossible for me to sing... It also really hurt whenever I coughed... I said to John that the set would have to consist of mainly long jams, either that or instrumental versions of the songs... Luckily as soon as I got on stage the adrenaline started pumping and everything was hunky dory.

I actually spent much of the wee hours revising past diary / journal entries. I've been asked if I'd be interested in writing some kind of an Ian Hunter / Diary Of A Rock & Roll Star type book. These journal entries could form the basis of the story. I have to discuss this further with Thomas and Simone in Rome tomorrow. Stories such as the following could be included - as long as I can fill them out a bit further. All it takes is a little research and a bit of time. Give me two months in Ternopil and I could get two books done.

Two audition stories

There's only been two occasions when I have 'auditioned' for a band. The first was in 1979 when Alternative TV put an advert in Melody Maker saying they were looking for a guitar player. Having nothing better to do that day I went down to the rehearsal room - somewhere near London Bridge. I can't remember the names of the bass player and drummer but we had good fun jamming away on various songs. I think we ran through a version of ATV (Action, Time & Vision) - still one of the best songs from the punk era. I think they offered me the job but I had to reply that I was busy with Swell Maps and only came down that day to play a bit of guitar.

Going to the Mark Perry / Alternative TV website: http://home.freeuk.net/markperry I found out that… "Becoming fed up with the punk scene, Mark took ATV into areas of experimentation in late '78 and, after playing as the Good Missionaries for a few gigs, the band broke up for the first time in late 1979." Must have been just after the audition. I never met Mark P during the punk days. Never met him until five or six years back when doing a Come Down and Meet the Folks show at either The Engine Room or Rosie O'Gradies in Camden Town. I think it was one of the early Engine Room shows. Though maybe it was during the latter Golden Lion days. Mark was very friendly, "Hi Nikki!" but we still didn't get the chance to speak.

A year or so back I was playing a Mad Pride show at The Garage in Islington. Alternative TV were headlining. Mark and I talked for around five minutes before I had to play. Next time we should talk.

Second 'audition' was for Dogs D'Amour. I'd known Tyla for a while and we'd always gotten on fine. Since Ned had been the Dogs' first singer. I knew Paul Hornby the drummer and Carl (bass player). This was just before the Dogs went to Finland for their "State We're In" tour and album. The rehearsal went fine and we repaired to the pub afterwards. Next thing I know Tyla's told the band he didn't like the trousers I was wearing - a new pair of jeans. Dave K ended up getting the job which he was probably a lot more suited for than me... Tyla and I have remained friend to some degree - sometimes better, sometimes worse, mainly fine - throughout the years. Great songwriter!

Checking through my emails I find that I've been approached by German magazine, Stalker, with the following: "We are planning to do an article about groupies, and I'm interested in the history and development of this issue. Maybe you'd like to tell me something about your experience and / or thoughts about groupies? I would appreciate any hint about this theme and if you want to answer anonymously, I will be discreet"

To which I replied, "I'd be happy to..." Whether or not to do this anonymously I haven't yet decided.
The rib will mend of it's own accord in a couple of weeks… Unless I get attacked by groupies on the way home... You never know your luck...

APRIL


Friday - April 30 - Berlin (I Need More Time)

Oh, God, it's that time again. Time to write another few paragraphs about my life. The basic trouble with things at the moment is though I'm having great fun - jetting and training it across the world - I still end with absolutely nothing. Well, I get to pay my rent (for a flat I never see), my phone bill (for a phone I never use), etc., etc. Things could be worse but they could be, oh, so much better.

Anyway I still get to see the world, see all the world and have a good time and that's more than 99% of the world's population get to do.

Back to yesterday and the customs search at Kyiv airport. I forgot to mention that while I was trying to be helpful to the woman who was going through my stuff, "Those are the dirty clothes... and these are the clean clothes." I pulled my pretty heavy bag up and managed to pull a muscle - or something - right where I was badly bruised from the bunk incident of a few nights previous. Since then it's been pretty agonising getting around. Even sleeping last night was difficult as every position I lie in was uncomfortable.

But, relentless as ever I was up and out of the house before 9 this morning and off to one of Berlin's many Rathaus (Town Hall to you and me, dear reader) to de-register. The Germans, most nations actually, have this weird idea that when you move from one town to another you should register with the authorities - give them your new address, that kind of thing. Waste of time, basically. Anyway I'm now officially de-registered, which seeing as I've been in Germany for a total of one week in the past three months or so and after Monday I won't be back for a while seems a lot fairer and a lot better. I only registered in the first place because that was the only way I could open a bank account and insure a car. Strange folk.

Then off to the post office to pay a phone bill (well, I must use it sometimes! 30 International calls and I was only here for three or four days - if that...) and next month's rent and here I am, flat broke, but still smiling. Well, not exactly flat broke either. I just went to one of my favourite breakfast places - it's called Yellow Submarine - on Weinerstrasse. The trouble is everytime I go in there I try to speak to the waitress in German, she replies in English to which I reply in English. She looks confused and relapses into German.
The other best place for fruhstuck in these parts is Cafe Marx on the little street between Weiner and Skalitzerstrasse.

Just remembered someone asked me for recommendations of places to hang out in Berlin. Tonight I'd recommend The Junction Bar on Gneisenaustrasse. I'll be there, John and Stephane will be there... and we'll be playing.

My friend Herbert Jennissen, my hat maker from Augsburg, <http://www.hut-neubarth.de/html/hats_and_caps.html> mailed me yesterday that Treasure Island has a 4 out of 5 star review in the German edition of Rolling Stone. It's by Wolfgang Doebling. It's a pity I didn't know it was going to be in so soon as I would have been able to give Herr D. a copy of the revitalised album to review. Then we'd definitely have got 5 out of 5. Now I just have to find someone to translate it for me...

And now I'm off to Stephan Schmidt's so we can, at last, get the artwork for Treasure Island finished and the thing out in the shops and selling. And we did it

April 29 - Thursday - Praha Airport

Got the Prague Airport - five hours stopover - transit - internet cafe blues.. So I thought rather than waste my time reading a book or taking in the sights I could wisely spend my time (and my money) at an computer here at Praha airport. Last night's gig didn't happen, but as hardly anyone knew about it, it didn't really matter. Zoryan and Co. were running round madly all day trying to find parts of my possessions which had gone missing he previous night. Guitar strap, guitar cable, poster for the Moscow gig, clothes that had been washed - very necessary at his stage of the game...

Olah, A and Natalia and me wandered round the streets, down the Champs Elysees of Ternopil. Well, that's what my guide called it. Very nice stroll down by the 'sea'. I'm definitely going to return there whatever happens. As I kept on saying to all the cool folks in town it'd be the perfect place to finish my book (s). No real distractions...

Said goodbye to all at the train station and settled down to sleep... Woke up this morning to the sight of hoarfrost heavy on the roofs of village houses. Good tip for travelling by train - always travel with a sober companion. You get a well-made bed and a goodnight's sleep into the bargain... Mind you with the pretty useless keyboard at Praha Airport's sole internet cafe -and the only functioning computer in it- this came out as a 'well-mad bed' - which it wasn't. I slept fine actually.

As did Natalia, my Ukrainian-speaking and very necessary travelling companion. She slept head to the window - I slept toe to window - and we both made the wise decision of not sleeping on double mattresses on the top bunk. I realised after the event that that was why I fell off my bunk on the Moscow - Ternopil train. The mattresses had nothing to cling to save for themselves. Even on the bottom bunk I almost slipped to the floor a few times that reckless long ago night.

Arriving in Kyiv (as Ukrainians spell) Kiev. Mind you, it's their language so however they want to spell the word must be right. Natalia and I were met by Denis who pretty soon left to sleep. I got taken on the Kyiv Metro - something anyone who suffers claustrophobia should miss out on. At one point in the journey I felt I was being choked... It was just the passengers unwittingly pulling at one of my scarves as they pushed on and off the train.

Then we went to the main street of Kyiv. Very nice and all that, but I prefer Ternopil. I like the place because it not a big, bustling city - even with over 200,000 inhabitants - it's not that mad. No traffic jams and the cars are mainly all so old and wrecked and totally beautiful.

Then to Boryspil airport where, for the first time in years, I got my bags searched. Memo to customs officers - cos they always miss this one - the bit under the neck of the guitar isn't just a support - it's also a compartment - and not a hidden one either. Still, I had nothing to hide... Not like that NKVD guy I met the other day...

Mr. Honea, once again:

"During World War II, NKVD units were used for rear area security, including halting deserters. On 'liberated' territory the NKVD and NKGB carried out mass arrest and deportations, at times forcibly resettling entire populations (650,000+ Crimean Tartars, Chechens, Ingush, and others) or significant parts (Lithuanians, Poles) to Central Asia and Siberia. In 1946, the NKVD was transformed into the MVD. The MVD in turn evolved into the KGB."

I doubt if I'd have been talking to him, well I probably would have, if I'd realised the full-effect of the NKVD bit of his story. And my questions would have been a lot different...

This computer is a disaster. That's your lot till I'm back in Western Europe...

Wednesday - April 28 - Ternopil

Ternopil (correct Ukrainian spelling - Ternopol is the Russian way of writing the name) is a beautiful place - far away from the madness of Moscow. There, a twenty-minute journey can take two hours due to the traffic. It made a nice change to be away from the hustle and bustle of crazy, big-city life. Ternopil is a city of around 220,000 these days. Yesterday's gig at The Dovzhenkoz Centre of Youth Entertainment (REYVAKH!), here in funky-pretty Ternopil was everything a gig should be. Apart from my breaking a string during So Far, So Good, which really screwed up the version. The audience were crazy-beautiful. Dancing, screaming, everything you could want for... After the show was over we had to sign literally hundreds of autographs. Most of the 500-strong audience wanted a little piece of Dave and me to take home.

Earlier in the day I'd done a solo interview / acoustic performance - I played a strange, and unrecorded, version - unless one of the local populace taped it - of We're Still Alive - the song I wrote on the train to the Ukraine and in my room at the Hotel Ternopil. This was on Radio Ternopil. Complete with a maniac (in the nicest way) presenter on auto-drive and Natalia (my biggest Ukrainian fan) and Zoryan (promoter) translating... Pity it wasn't taped.

If you go to: http://www.ternopil.ua/pics/old you can see some pictures of the way the city was before the war. At the Battle of Ternopil 39,000 of the cities 40,000 inhabitants were killed. After last night's show I was shown a news-footage / propaganda clip about the re-capture of the place. Typical war newsreel stuff. Stirring patriotic call to the workers of the Soviet Union to carry on resisting the German hordes. Guns were fired, rifles were fired, buildings were blown up. You could tell it was all re-enactment - good re-enactment - but still re-enactment - by the fact that no return fire was ever given.

Today I might be playing a solo gig or I might have to catch the train to Kiev with Natalia as my guide. An eight-hour journey, the same one that Dave had to take last night after the Ternopil show. His train left around half-two - he flies to Birmingham with an eight-hour stopover at Frankfurt. I'll be heading back to Berlin tomorrow either with my own personal eight-hour train ride leaving at either 8pm or 2.30am depending on which flight I happen to get. Either one over Budapest or over Prague. Been to Praha airport before. Never flown into Budapest before...

If I do play tonight it'll be under the Hotel Ternopil - in the bar there...

Oh, and a bit more from Mr.. Honea on the NKVD, "The NKVD were the Soviet security police attached to the military. You are right in that they were a SD or Gestapo of sorts. THEY WERE NOT LOVED BY THE RED ARMY TROOPS BY ANY MEANS. Basically, they sat behind their own advancing forces shooting in the back those that lagged behind and executed deserters and ''cowards'' Highly dubious organisation / individuals." Which being so I'm extremely glad I didn't meet Mr.. Voronov during those days.

Jason also commented, "Picking off SS officers must / would have been difficult. He was probably doing everything he could to make sure that he didn't get picked of by his OWN troops . But who knows at that stage of the war.... I'm sure SS snipers were looking for his sort though. At Konigsberg there would have been plenty of former Soviet citizen-SS types that would have loved to get their hands on him or that lot."

I knew the NKVD part of the old gentleman's tale sounded a bit strange... but it's a strange world... Fortunately or unfortunately...

Tuesday - April 27 - Ternopil, beautiful Ternopil

Jason Honea just wrote to me concerning yesterday's post, "He means Konigsberg on the Baltic in East Prussia , now Poland ... It was a really bad one and especially for the Russians. He was NKVD ? That's kinds spooky.

I wrote back, "NKVD sniper - picking out the SS officers apparently. Shooting from trees then scarpering ASAP. How spooky? Kinda Soviet SS?"

As well as meeting the possible spooky Michail Dmitrievich Voronov - a very nice chap whatever went down back then I also wrote a song on the train to the Ukraine that same day called We're Still Alive. The lyrics based on Dave and my conversations around the bars of Moscow about how amazing it is that we both haven't died ten times over.

And then we eventually in the gorgeous and beautiful city of Ternopil. We were met by Zoryan and his gang of incredibly friendly folk. Such a delightful place to end up, especially after the hustle and bustle of Moscow. Moscow must be the biggest city in the whole world. Biggest one I've ever been to. There's LA, but it's not the same.

This is the kind of place I'd like to live... Especially if I'm ever to get these books finished. Beautiful, funky, half broken-down cars, trucks and buses. Amazing buildings, useless hotel bathrooms... But a great place - and rent for a two - three room flat for around $100 a month...

Dave will be arriving around 6 o'clock - assuming he gets his mountain of pirate CDs through Ukrainian customs. I'm off to do a radio interview, followed by a couple of TV ones.

More tomorrow... When I'll have time...

Monday - April 26 - From Russia With Love

Okay, I know the 'From Russia With Love' bit is a cliche but it seems apt. Twenty hours on a train may not be to everyone's liking but I had excellent company in the form of Denis from Rockmusic.Ru and a few adventures - or rather misadventures. Unfortunately I didn't have Daniela Bianchi, or even a Tatiana Romanov on the train with me but then again there was no sign of Rosa Klebb (Lotte Lenya) or Donald 'Red' Grant (Robert Shaw) either which was quite a relief. But then ain't James Bond either… Or am I?

The Russian scenery is gorgeous. Sumptuous landscape for mile after relentless mile. Denis I slumped off to the restaurant and decided on a glass of vodka, followed by another and another, and another. It was still daylight outside but the vodka was inside and I thought it best to stop drinking and try sleeping. I fell asleep almost straight away and then I fell off the bunk, hit my head on a table and crashed to the floor. This was the top bunk, by the way... It wasn't my fault... The mattresses were really unstable and there was no little 'crash barrier' or whatever it's called - 'safety rail', perhaps. I climbed back up the little ladder thing and the same thing happened... Gave it a third try and a few minutes later I came crashing to the floor.

At this point Denis decided to give me his lower bunk and I slept the sleep of the bruised... And even on this lower bunk the mattress was slipping and sliding - I almost fell to the floor a few more times - but luckily managed to maintain my balance (and dignity) a bit better this time.

The morning followed after I'd slept through the border - Denis dealt with the border controls admirably... and he'd drunk as much vodka as I had if not more. Waking up we went for a relaxed breakfast of water and an orange... Which seemed far less disastrous...
Then we got into conversation - well Denis translated between us - this 77-year-old chap, one Michail Dmitrievich Voronov. He'd been in the Osobaja Ruta NKVD, wounded by a shrapnel bomb near Kenigsberg (?), where ever that is... Fascinating stories... He was one of the lucky ones who didn't get shipped off to the Gulags by Stalin.

I was going to write more about the stories Michail told me but I'm running out of time. I know Jason Honea would have loved to meet him. Maybe I'll have time tomorrow.

The World Of Adventure gig was a gas. We both made mistakes - some very noticeable - but the audience loved us anyway. We didn't sell that much merchandising as we could have, but apart from that it was a great evening.

And we didn't play another gig that night. But, hopefully I'll be doing a solo show here in beautiful Ternopol. Dave should have done a solo gig last night in Moscow. He wasn't on the train due to Ukrainian visa problems. He'll be arriving here in the early morning by plane.

Saturday - April 24 - Moscow

Sleep, sleep, sleep... That was what Dave and me both needed... But, of course, we didn't get enough by far. My first site of Mr. Kusworth was seeing him languidly (as always) draped across a chair in the 'dressing room' at The World Of Adventure where we'd been taken for a press conference. The only trouble was that at the last moment Pink (Pink!) had arranged another press bash somewhere else in town and most of the journalists had decided she was more newsworthy than us... Totally crazy idea, but then Moscow is a pretty crazy town.

We've played two gigs here so far - the first one, at the Central House of Artists where John, Stephane and I played in December… and a second (surprise) gig at Sexton. Well the second show was a surprise for Dave and me. Sexton is a kind of biker / goth club / bar. Great place! Good food, good drink, cool clientele. The third (official second one) is tonight.

Dave and I are getting on great - to me it feels like the early Jacobites days in Dave and Lesley's (his ex-wife) house in Bryant Street in Birmingham's Winson Green. That kind of atmosphere. I think (hope) Dave feels the same. I'll have to ask him when we meet up at today's soundcheck which is in forty minutes…

The press-conference… Some interesting questions… Most of which I can't remember but we got some laughs with our answers and some thoughtful looks from some of the others. After that we played a short - three song set. Started of with So Far, So Good which is sounding better every time. Then Pin Your Heart and finished with Fortune Of Fame. Quick meal then off to the Central House of Artists for the real soundcheck and the real gig.

The gig was great. Everything a gig should be. At first I couldn't hear my guitar through the monitors but after a couple of songs that got sorted out. The show was recorded (and filmed) - the audience loved it and so did we. Tonight's gig will also be recorded and we hope to get a Jacobites' Live In Moscow album out of this particular adventure.

It had slipped my mind - and obviously Dave's as well - that this day was the anniversary of Johnny Thunders <http://www.jungle-records.demon.co.uk/bands/johnnyt.htm> death in New Orleans, at the St. Peter House, Room 37, at the far, far too early age of 38. Johnny was a good friend of mine and I miss him a lot. At the Sexton show, for the first time in our lives, Dave and I played a joint version of Johnny's classic ballad, You Can't Put You Arms Round A Memory. We've both played the song on our own many times but we've never done it together. Johnny must have been floating round the room. The inspiration definitely came from somewhere. And Johnny's name came up in our various conversations during the day and the evening. And I think we mentioned him at the press junket. We also played a version of Ronnie Lane's Debris and, at long last, Ooh La La..

Now I'm back off to The World Of Adventure for lunch, soundcheck and then some much-needed clothes, jewellery and scarf shopping. There'll probably be another secret gig tonight. But we won't know where till we're doing it.
Stay bruised and stay beautiful… See ya whenever… You should be here in Moscow.

Thursday - April 22 - Moscow

4.35am: Sitting on Hermannplatz U-Bahn station after another night without sleep! Left Axl van Windhook sleeping in my bed while I persevered my way to the 129 bus stop with two bags and a guitar in tow. But I've done this so many times before. I could have done with a hand to the bus, could have done with a taxi but finances won't allow such luxuries.

Now I'm waiting at Berlin's Tegel Airport for my plane. Delayed from 6.55 till 8.10. Nice of Germania Express to let me know... The plane, of course, was delayed by almost two hours. I arrived at Tegel in good time - in very good time - for the 6.55 departure.

There was nothing up on any of the flight boards - no indication that any plane would actually fly to Moscow that day. I asked at the information desk and was told to go to check in No. 1. I went there and was told to go to check in No. 20. I went there and was told to go back to No. 1. I went and had a fresh-squeezed orange juice and a smoke or two and waited for some sanity to hit the terminal. Eventually the plane left from Gate No. 1 at 8.10! I could have grabbed some sleep… Travel ain't always all it's cracked up to be...

I finally arrived in Russia. After yet another night with no sleep... When I was 28 I thought, "Great, I'll never have to spend another night without sleeping!' I think I was several centuries out there. You do get used to it... But it's still a trial.

So last night Stephan Schmidt and I spent around eight or nine hours working on the Treasure Island artwork... I finally arrived home around midnight and decided there was no point going to sleep. Not with my plane supposed to be leaving around 7am. As it was it didn't actually take off until after 8 o'clock in the morning!

Kept on looking at the cover - called up Dave McNarie and asked what he thought. He told me and I agreed, and still agree, that he was right. So I mailed Stephan straight away... As of yet - 16 hours and a few countries away no response at all...

I was going to write up yesterday's misadventures but I guess you're going to have to wait for the autobiography for those. Suffice to say my day was relentless. Arrived back in Berlin early morning after a couple of hour's kip on the train. Decided there was no point in sleeping as I had to be at the Russian Embassy at 9am to try and get my visa. I succeeded and then, with a hop, skip and a jump trailed up to Albrecht Strasse and the Ukrainian Embassy. This was a breeze compared to the bureaucracy contained inside the Russian one…

By midday I was free. Axl van Windhook and I walked downtown and then had a quick snack and then I went off to Stephan's to continue with the Treasure Island artwork. 99% of it is right, there's just a few small details that need changing. Last minute thoughts are often the best...

Arriving in Moscow I was met by two girls from Rockmusic.Ru magazine. Taken to a flat for a very enjoyable - and necessary meal. Then a few hours much-needed sleep... Now I'm in the Rockmusic.Ru offices. About to go off for a meal with Grigory and Co.

Wednesday - April 21 - Berlin - Wednesday Went Off Somewhere

This was one crazy day…

On the train from Koln to Berlin the first part went well enough. By confusing the conductor I managed to inadvertently escape getting my ticket stamped. The confusing was managed by my trying to change compartments from the one I was booked in. When I bought the ticket I hadn't even realised that a couchette was included in the price. But it was and was scheduled to share with an elderly German couple. I tried to avoid this - leave them some privacy and myself some space - and asked the guard if it would be possible to change compartments. At first he was a bit vague but half an hour later he was definite that such an action was impossible. "But there are empty compartments all over the train," I argued. "They might," note the use of the word might, "They might be filled," was his stoic answer.

I attempted to open the door of the couchette and gain entry to my sleeping-berth for the night. The elderly Germans had bolted the door on the inside. The conductor / guard knocked loudly and eventually they opened up. I piled my luggage from the still empty preferred space to the unpreferred enclosure and climbed up in my bunk. They'd switched the light off earlier and weren't about to turn it back on for a Tommy - that was clear…

A few seconds later the now grumpy pair of old Krauts were complaining… in German. My German isn't up too much but I could still understand them. "You can't leave that stuff on the floor. One of us might want get up during the night and use the toilet…" the old gentleman spouted. I was forced to pile most of my four pieces of luggage up on my bunk and my guitar under the two ground-floor bunks. Then I climbed the ladder and tried to arrange myself around the bags that now festooned my bed. Luckily I found space above the door where the baggage could actually go.

My travelling companions soon began snoring and continued on this level for the rest of the night. I tried to sleep for an hour or so then got up and ventured up to one of the guards and bought a couple of small bottles of wine. I found a smoking carriage and sat there and smoked and drank until weariness hit me with it's waves. I put out my final fag of the night and crawled back to my bunk. The Krauts were still happily in the land of nod as they would be three or four hours later when I departed the train.

Arrived back at Ostbahnhof at 5.10am. Taxi home - no more sleep. Cup of tea and checked my emails… The computer is more or less dying! Called Axl at 8am and we met at Gorlitzerstra?e U-Bahn to go to first the Russian and then the Ukrainian embassies…
Arriving at the Russian Embassy 20 mins before it opened we found that 30 or 40 people were already queuing at the back door for visas. The embassy fronts onto the Unter den Linden but the back door is good enough for the like of us. It was a bit like being in the queue to get in the front row of a Stones' gig except this venture was even more expensive. 155 Euros for a double entry visa. Thinking it would be safer I'd put on my application form that I was a music journalist - I was told that visas for journalists took two weeks to process.

So I changed my claim and told them I was really a musician and that the only magazines I wrote for were ones that didn't pay… They probably thought I was an anarchist. The girl behind the glass-screened desk said her boss had to decide - I had to wait an extra forty minutes until my change of career was accepted. 155 Euros and half an hour later I was out of the Russian Embassy and Axl and I walked to Freidrichstra?e and after crossing the River Spree we found Albrechtstra?e, home of the Ukrainian Embassy.
This second former Soviet embassy was a lot more casual - still a rip off as I had to pay 100 Euros + 3 Euros bank commission. But by 12.30 the mission was accomplished and two visas filled my passport. Axl had been hanging around for almost four hours - I hadn't been allowed to take a bag into the Russian Embassy so he'd had to hang around on the street outside taking charge. By way of recompense we picked up a couple of bags of downtown on the way back to my place where Axl was at last able to have a much-needed shower and to wash his clothes.

I cooked some food - rice with tomatoes and stuff - we ate it and then I set off for the postbank and then Stephan Schmidt's sixth floor flat in the Blucherstra?e. First we worked on the blues adverts so lovingly and painstakingly put together by Hadley Northrop and Sean Vallely. This was a painstaking task as they hadn't made some of the final changes - either that or they'd inadvertently sent an earlier unrevised version of some of the pages. Epic was listed twice as playing organ solos - I wanted to change one credit to Kevin Junior but it wasn't possible… Instead we wiped one of them out with a black border - quite appropriate really - and then we continued with the work in progress.

After a brief meal break for some of Arianne's homemade asparagus soup we continued until 10pm. Seven hours of more or less non-stop work.

At some point of the evening I wrote up my entire trials and tribulations of the day - tried to submit it to my online journal and the computer crashed. An hour's work gone to rack and ruin!

Eventually we finished… I arrived home to find Dave McNarie's mail saying that he still didn't like the cover artwork. So after a while I called him and we discussed matters. He suggested the lettering be the colour of and old map… I said I thought the skull and crossed cutlasses should go. I've never had such trouble with an album sleeve before. I sent Stephan a quick mail suggesting what Dave and I had discussed and later another one from Tegel saying the text should look like parchment. I think it should have a weave in it like the map on the back cover.

I wrote everything up and the damned computer crashed just when I tried to send it...

So I've written everything up in my notebook / songbook... And when I get to Moscow you'll get the whole story.

Tuesday - April 20 - Bruxelles Midi (Railway Station)

Not much time. Well, too much time. Because of my return rooting from Vigo to Berlin I've managed to end up here in this internet cafe at Bruxelles Midi Station with three or four hours to kill. I should have been back in Berlin this evening - but because it took half an hour or more to locate my guitar at Brussels Airport I missed the connection. Now I'll get back home at about 5 in the morning!
No sleep - unless I sleep on the train - and then off to the Russian and Ukrainian embassies to track down these elusive visas. What a romantic life! It could be a lot worse but then again it could be a lot, lot better... And if I can't get the visas then I can't even get on the plane, let alone into the country.

So yesterday's Akanteira radio show at Radio Ecca (96.5FM) was good fun. I played Horse Blues, The Last Flash Of The Cavalier Nation, Road Of Broken Dreams, Pirate Girls and a new song that I'd started writing in Curcuma, the vegetarian place with the excellent soya burgers. I had two verses scrawled on the back of an envelope and thought I might as well be clever and show off... that kind of thing...

Jose Otero, the disc-jockey of the show was saying something along the lines of, "Nikki, you're such a great songwriter...." He was obviously a fan.... "You have to keep living for many years to give the world many more of your beautiful songs..." So I just put the capo on the third fret - always a good move - just move up a fret or two and the same old chords sound different. Well, kind of... So I did this one in Eb.

Sung the first scribbled verse, made up a chorus. Quite a good one considering. Sang the second verse, repeated (approximately) the chorus. Did a bit of strumming / doodling. Came up with a third verse based on something I'd written on a place mat at the Rousseau restaurant near Santi's place the previous night. Another chorus and out. And it's on tape... So that's another one for the box set. It was kind of okay anyway...

Then soundcheck at Golem, across the street from Santi's old bar, Hanoi. Just down the street from La Casa De Arriba, the first show I played in Galicia. The owner of La Casa stormed into Golem as we were about to set up the PA and proceeded to go mad. Shouting and ranting in Spanish! Total idiot! Anyway after a while his bile got the better of him and he disappeared back up the hill to his club. Strange bloke!

The gig was good fun and very well received. The trouble was that there was hardly a soul there. Santi, Louie, Maite, Ruben and his girlfriend Andi. Santi's old Hanoi partner, Carlos. Ruben's brother, bar-owner, Nelson and the third brother... Two or three more souls I didn't know and that was it. I sang the first song, Horse Blues, through the PA and then just unplugged it and did the rest of the show totally unplugged. Good fun... Pity there weren't more there, but you can't have everything...

Santi and I set off for Vigo's Peinador Aeropuerto at an ungodly hour and sat in the newly re-christened (by us) Pablo Esco Bar (Pablo Escobar - the king of Columbia) and drank a glass or two of Faustino vino tinto. Then I got on the plane to Madrid. Sat there for a couple of hours and ended up her on Bruxelles railway station. Waiting For A Train. I think Jimmie Rogers wrote that, Jerry Lee did a version or two. Great song.

Yes, I was right. Just went to www.jimmierodgers.com and found out the details: VE 47223-4 Waiting For A Train - February 8, 1929 (Jimmie Rodgers). Good song. Check it out....

Monday - April 19 - Swinging Chicks and Conquistadores

Santi and I were having lunch at the vegetarian restaurant here in Vigo and discussing our favourite actresses.

Mine are:

Claudia Cardinale (Well...)

Brigitte Bardot (Take one guess)

Lesley-Anne Down (But ev'ryone was in love with her back then... I think Tyla even wrote a song about her… If he didn't he should have…)

Shirley Eaton (Goldfinger, but better still in all those English film comedies - when the English cinema still really existed...)

Marianne Faithfull (Of course...)

Anita Pallenberg (But, of course)

Julie Andrews (Mary Poppins, The Sound Of Music)

Jane Fonda (Barbarella, Klute)

Shirley Maclaine (Especially in Irma la Douce!)

Hayley Mills (How could anyone of my generation not have fallen in love with her?)

Marilyn Monroe (For Some Like It Hot, if nothing else...)

Carroll Baker and Jean Harlow and Kim Novak (Sometimes)

Kay Kendall (For Genevieve with the brilliant Kenneth More)

Jane Seymour (Because of Live and Let Die, my favourite Bond movie ever. Roger Moore as Bond and JS as Solitaire)

Liza Minelli (Because of Cabaret! That one film is enough for glory!)

Ingrid Pitt (Where Eagles Dare - possibly my favourite film ever...)

Susannah York (In The Battle Of Britain! Wow!)

Jenny Agutter (But wasn't everyone? For Bobbie in The Railway Children if for nothing else…)

Elizabeth Taylor (Cleopatra and all the other films she made with Richard Burton - The Taming Of The Shrew, Who's Afraid of Virginia Woolf? And others…)

Sally Thomsett (Man About The House and The Railway Children)

Well, there's a load more of them... But that's all I can remember at the moment and it's time to leave for my 5pm session at Radio Ecca...

Sunday - April 18 - Namedropping In Tui

Mini Moog was yet another cool club. Owner was called Beni. We met and went for a great sandwich. One of the best ever English inventions. But you must know that story and I have no time to tell it because Santi and I have to go and meet Maite and an Australian friend for dinner at Rousseau in less than an hour.

So you find me back in Tui - a town celebrating the end of a two week festival / feast. As Maite put it, "Full of bumpkin farmers!" And she is right. Traffic jams line the town from East to West, from North to South. And if it wasn't for you, dear readers, Santi and I wouldn't have had to brave the idiots and chumps who are busy lining the streets looking for a good time despite everything.

Playing in Austin, Texas one time a few years back I described Sixth Street (6th St.) as, "Full of people desperate to have a good time no matter how drunk and stupid they had to become to do so." It's not that bad here. The Spaniards, or rather the Galicians have a bit more dignity. Well, it comes of having a bit more of a culture, I suppose.

Today, I'm at a bit of a loss of what to write. Honey Baby, the Mika Kaurismaki film which I did the bulk of the soundtrack for seems to be premiering at a whole bundle of world-wide festivals. And Egoshooter, the Oliver Schwabe and Christian Becker film that I play 'Nikki Sudden' in will also be premiering soon. So it looks as though my summer will be as busy as my spring. And I couldn't really want it any other way. And Italian publishers Thomas and Simone from Fazi Publishing seem to want me to write a book. A kind of my version of Ian Hunter's Diary of a Rock and Roll Star. It's a tempting idea. But it'd be a hard book to match. I bought it when it was first published in 1974 (?) and loved every word of it. The only thing I found hard to comprehend was that Mott The Hoople seemed to spend a load of time going to pawn [porn] stores looking for cheap guitars. Even in my tender years I'd heard of porn shops... but pawnbrokers was a very Dickensian idea.

I met Ian Hunter twice. The second time was at Quasimodo in Berlin when Darrell Bath was playing guitar for him. And he, Mr. 'Untah, said to me, "Your hair looks really cool!" God what a compliment. It's a bit like the time when I met Paul Rodgers at a Radio One session. I was wearing a white silk scarf (as one does). But at one point PR turned to me and said, "You know it's weird, but every time I come in here (the control room) and see you I think you're Jimmy Page!" Bloody hell! I was in heaven for a while. Paul Rodgers was a real gentleman as was Ian Hunter. As was Mr. Jimmy Page himself when I met him.
But that's enough namedropping for one day. We can't all be Ronnie Wood now, can we?

Saturday - April 17 - Lalin - Pirates and Chiffon Dresses

Of course, I found out the town was called Lalin and not Lalin about 10 kms outside the place. Nice bar, the Barriga Verde, nice owner, Carlos Monti, nice crowd - just far too few of them. But I played - half cover versions - this was Carlos' idea - and half NS originals.

Started with Flower Bed Romance - couldn't remember the words at first but they slipped back in just in time - well, most of them... Then Bob Dylan's She Belongs To Me. Carried on with a bundle of my own songs and some regular crowd pleasers. Well, songs they should know: One Inch Rock, I Love To Boogie and Get It On by Marc Bolan. Handful of Stones' numbers. Troy Seals & Donnie Frits' ethereal We Had It All - which I doubt anyone in the place save for Santi and me knew.

And I played the live debut of Slave Trade. That one's for you Loukia - seeing how you said you liked the lyrics.

Well as they say, "Another day, another dollar..." Except it should read, "Another gig, another handful of Euros..." Even sold four CDs - which for this part of Spain is a near miracle. Most of them got traded for the usual powders but I still walked out of Barriga Verde richer than I walked in.

On the way to the restaurant for food I saw this great €40 Pirate set. Galleon, pirates, jolly rogers, the lot. I thought I have to buy it... Trouble is the shops in this benighted country close from midday till around 4.30. Trouble is how can I get the thing back to Germany. It's a big thing!

And a beautiful chiffon dress or two. I thought, "There's something someone I know would like..." But she's not here, and I'm not there... So maybe I'll just buy the pirate set instead.

Next Santi and I are off to Santiago de Compestala to try and buy a scarf. I got the one I wear on the cover of Treasure Island there... But I lost it the same day as the first album cover photo session. See the journal entry for November 19 2003 for further details.

On the way to dinner with Mika Kaurismaki - somewhere between Kollwitzstrasse U-Bahn station and the restaurant - it fell on the street. Some lucky Berliner probably found it and wrapped it round his neck and walked off thinking, "Hey! Now I look just like Nikki Sudden!" Either that or some Turkish woman found it and wrapped it round her face in preparation for the forthcoming dust storm.

The time before when I'd met Mika in the same part of Berlin, Mitte, I left my chromatic guitar tuner and the three CDRs of the as yet unreleased Nikki Sudden / Phil Shoenfelt album, Golden Vanity, on the roof of my car. When I got back a few hours later someone had half-inched them. The only copies - apart from the DAT masters and the multi-tracks. But my only listening copies! As Mika said, "Maybe we shouldn't meet in Mitte again." I don't think we have done since...

And tonight's gig a the Mini Moog in Caldas De Reis should be a groove. A cheap one at that. Admission is €2! Which is pretty ridiculous... I'll tell you more about that one tomorrow. Another day, another silver dollar... And the spurs on my boot heels go jangling down the street...

Friday - April 16 - Unlucky Luke and Rowland Howard

Went out last night. First stop was Golem, the last minute addition to this strange Galician tour for a few drinks with Maite and Ruben. Golem was having an evening of low budget movies - in Spanish! Obviously! Maite and I stuck out three quite amusing films before leaving for another bar. Apparently it was an 'Irish' pub. But it definitely wasn't. I felt a bit like Ian McLagan in part two of Dave McNarie's Rise & Shine! track-by-track interview. Check it out at<http://www.ianmclagan.com/audio> I least I wasn't drinking on my own. "Solitary drinking, it's awful!" as Mac puts it.

Then we went across the road to yet another bar. This looked more promising as a band were set up on the pretty basic stage. We stuck around - then they came on. God what a shower! Bassist with no hair, just a really ridiculous beard and his bass way up too high. You know the sort. Guitarist had a neat looking guitar but once again far too short a strap. The Hammond player looked (and played) really well and the drummer was okay. But the music was awful. Forget it. I'd rather see a band than do most things. But two songs were all we could stand.

We went round the corner to Lucky Luke's - which last time I was here - 18 months back - was a really cool bar. Unfortunately the previous owner was a bit of a gambler - slight understatement here - and gambled away the bar. Last time I was in the place I ended up playing records - generally taking over the bar. We walked in and as with 99% of Spanish and Portuguese bars there was a TV on. Two actually. I asked if they could turn them off.

Asked reasonably politely as well... The barkeeper just said, "No!" We walked out and back to the second bar.

There were a couple of pretty strange guys in there this time. They insisted on buying Maite and me a drink or two and promised they'd come to see me at Golem on Monday. They probably will as well.

Then I went home. Fell asleep at the kitchen table at Louie Louie's talking with Santi but woke up in bed four hours later.

I've been trying to get in touch with Rowland Howard for a long time now. I actually tracked him down shortly before the reissue of Kiss You Kidnapped Charabanc - first time we'd talked since he left London for Melbourne in the early nineties. I asked him if he wanted to help out with the sleeve notes. He said he'd fax some to me the next day. Nothing ever came.

Finally Conrad Standish from The Devastations, the band who metamorphosed from Luxedo who I saw one night some years ago at Tacheles in Berlin gave me Rowland's current number and I called him this morning. Good to finally talk after so long. Rowland will be touring Europe this year with The Devastations backing him...

The first Devastations gig was played in September 2002. Rowland was moved enough to write an insightful and lengthy article about the band in the Australian press, as well as join the band from time to time onstage. If you want to read what Rowland wrote (and you should) check it out at http://www.burning-heart.net/rshdevastationsint.html

No time for more... Off to Lalin and further misadventures.

Thursday - April 15 - Vigo - Pieces Of History

Some days I just haven't got the time, or the inclination to write anything. Yesterday was one of those days. I spent three hours in an Internet cafe in Tui - half of them answering 37 questions sent to me by Japanese magazine, After Hours. And I still have another 16 or 17 to do today. Anyway today I have a bit more time at my leisure - and a free internet connection - so you'll get a bit more...
Tuy is the Spanish spelling of the town's name, but seeing how we're in Galicia, I prefer to use the Galician version - Tui. As much as anything because it sounds and looks far cooler!

First a bit of a history lesson which I've excerpted from Charles Esdaile's great book, The Peninsular War:

March 1809...

"The most important part of Napoleon's plan for the conquest of the Peninsula had effectively stalled. In the north the first priority was the subjugation of Galicia, but despite Marshal Ney's best efforts, the revolt there proved impossible to put down. With only 17,000 men, he had from the first to abandon any hope of garrisoning the entire province and chose to hold major towns such as Villafranca, Lugo, Santiago, El Ferrol and La Coruna, whilst dividing the rest of his forces into mobile columns that kept open communications between the various bases and struck out in all directions, hunting down the alarmas, burning villages, taking hostages and inflicting terrible atrocities upon the unfortunate populace.

"Yet the insurgents were rarely caught by the French columns and frequently inflicted numerous casualties on them, whilst every act of punishment or reprisal simply created fresh insurgents. Still worse, the French actually lost ground. Protected by blockade by the flying columns, the towns held by Ney's troops were safe enough, but, far to the south-west, the situation of Tui and Vigo was different.

"Held by invalids and other troops dropped off by Marshal Soult and completely out of touch with Ney, the two towns had quickly been surrounded in an attempt to starve them into submission. In the end Tui's defenders were evacuated by troops sent up from Opporto by Soult, but on 27 March Vigo surrendered when the British landed some naval cannon and breached the main gate."
Esdaile continues his history of the Peninsular War for a further 500 fascinating pages - but this is part of the book that refers to this part of Galicia where I seem to be spending my time. One of the great things about being alive is the feeling of history that can be there with every step you take. And here, particularly outside the cities and towns, the sense of history is very great indeed. Apart from the plethora of ugly new buildings that have sprung up everywhere in the world since the Hitler War - and has there been an attractive building built in the past sixty years? If there is one I've never seen it.

Back in 1978 when Epic and my parents moved from Solihull where we'd been living since 1964 or so, having moved up to the town in the south of Birmingham from London. They looked at a lot of properties in the area of Leamington Spa, where my father was taking a new job. One of the places they saw was described as a beautiful Twelfth century farmhouse. They did think about buying it but my mother decided, "It would take too much work to keep clean..." They opted for a six or seven year old house in the village of Harbury instead! This has always baffled me...

Why live somewhere new when you can be living in history? My bed in Berlin is 100 years old - new mattress - but the frame is old. I have the most fantastic dreams and sleep well in the bed... because it's lived, it's seen things and is still seeing them. Likewise the building I live in is a good century old - one of the many one's that the allies must have missed in their target bombing of the German capital. The front house of the building got hit but the back courtyard, the hinterhof as the Germans call it got missed. Otherwise I might be homeless.

Next week I'll be back there for two nights... Then it's off to Moscow and the Ukraine. Maybe you'll get some more from me tomorrow but until then walk carefully 'cos you could be walking on history....

Tuesday - April 13 - Vigo (Spain, Galicia actually)

I don't know how many of you used to get Cheapside - the intermittent Nikki Sudden / Jacobites newsletter that we used to send out during the '90's? Probably quite a lot of you. Quite often people ask me why we never send copies out anymore. The answer is obvious... It's because nikkisudden.com and davekusworth.com have both taken over. Technology, much as I loath so very much of it, still can make things go a lot faster and a lot easier.

Imagine having to first write four or five pages - well, you still have to do that even with computers - then go and get them photocopied. Staple them all. Fold them all. Put them all into envelopes. Address all the envelopes - a thankless task. And then take them down to the post office and buy countless stamps. Stick all the stamps on the envelopes and then tip them into the post box.
And then, and then... A whole load of newsletters - on average about 20 - out of 2-300 posted out always came back. People moving and not bothering to tell us. So that's why there's no more copies of Cheapside coming your way.

We used to sell a bundle of merchandise from each mail out - at least enough to cover the postage... But you can get stuff direct from me at: http://nikkisudden.com/merch/index.htm if you really want to.

One thing I have to do is to set up a credit card processing link so that if you order stuff it'll just go off your credit card and into my bank account. At present when people want to buy stuff I have to get them to send dollars to a US address, Euros to a European one or UK cheques to an English address. It'd be a lot easier to get it all simplified. But I haven't the time, or more important, the know-how to get these things set up.

Maybe I'm just being a bit too lazy. I can write songs.... That's a piece of cake... Write articles for assorted magazines... Also not too difficult. I can also cook, read books and have impeccable dress sense. But apart from that I can't even put a shelf up.

I know how to play guitar - to some degree - but as to how they work... I haven't the foggiest. When I bought my first electric guitar, in 1972, I couldn't work out why there was no mains lead on it! An electric guitar, but no electricity. I still don't understand how the bloody things work. I'm just glad they do. Practicality isn't my first priority.

What I'll probably get Dimitris to do one day is to put all the back copies of Cheapside up on line so you can read some of my earlier ramblings.

How's that for a coherent journal report? Must be the great meal I just had in one of Vigo's three (three!) vegetarian restaurants, Curcuma. Great food! Best I've eaten in this country. The trouble was is it was also the biggest meal I've eaten in the past four of five months - since I was last at my folks' place in England... I have to go back there after Italy for a few days in WSRS with John Rivers... So I'd better get in training. Mind you yesterday I didn't really eat a thing...

Monday - April 12 - Tui (by the Portuguese border)

Well, thankfully, things calmed down quite a bit over the past few days. Refreshments were still taken (I'm being as honest as I can here, Dave) but not as recklessly as they have been at times. The last two nights I got to sleep at around dawn, well within an hour or so. Which is a big improvement on 4 or 5 the following afternoon as it was after the first two Spanish shows!

So where have I been? Well, I've been to Portugal three times in the past two days! Portugal is about a five-minute drive from Tui, which is where you find me now. Half an hour from Vigo. And, of course, you get good port there.

Saturday's gig at the Taberna Marrucho in Baiona promised great disaster... But turned out amazingly well. We arrived at 8pm as instructed to find no pa there, just a half-full bar. An hour later a scruffy looking Spanish type turned up with a microphone stand (broken), microphone and the basic components of a pa. Then he left, saying he hadn't the time to put it up. Santi tried to great avail but we couldn't get a peep out of the system. I wasn't playing until midnight - after some football match ended. We gave up and went for a meal.

The basic trouble with eating in this benighted but glorious country is that they can't really comprehend the idea of vegetarians. Meat, meat and more meat are the order of the day... And sometimes it gets bit boring eating the few vegetables that the Spanish and Portuguese consider worth cooking. But I'm still alive...Which is probably the most important part. Some might argue otherwise, but that's their problem...